<?xml version="1.0" encoding="iso-8859-1"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>ExposureRoom - Shiv Kumar - Photos</title><link>http://exposureroom.com/members/skumar/</link><atom:link href="http://rss.exposureroom.com/MemberAssetRssProvider.aspx/skumar/photos/" rel="self" type="application/rss+xml" /><description><![CDATA[Shiv Kumar's Photos on ExposureRoom]]></description><pubDate>Mon, 28 May 2012 18:54:41 GMT</pubDate><generator>ExposureRoom RSS Feed Generator v1.0</generator><language>en</language><item><title>Side View of the Canon XHA1</title><pubDate>Sun, 13 Jul 2008 23:56:03 GMT</pubDate><link>http://exposureroom.com/45e8f7a0df6640e1a3454099d0a54760/</link><guid isPermaLink="true">http://exposureroom.com/45e8f7a0df6640e1a3454099d0a54760/</guid><description><![CDATA[The area on which a tripod mounts is raised a bit from the rest of the body of the bottom of the camera. As a result, the only support the camera really gets from a tripod is a small surface area of about 2.5 square inces. If this area were flush with the rest of the bottom of the camera, there would be a whole lot more support and this support would go a long way towards camera stability while pushing buttons etc. while shooting.]]></description><category>Air Gap</category><category>Canon XHA1</category><category>Flaw</category><category>Canon EOS 40D</category></item><item><title>A Frame Grab from a test shot using the Cool Flo CFL Soft box</title><pubDate>Sat, 19 Apr 2008 18:27:13 GMT</pubDate><link>http://exposureroom.com/f99d63d321344f61bb0667b071603a03/</link><guid isPermaLink="true">http://exposureroom.com/f99d63d321344f61bb0667b071603a03/</guid><description><![CDATA[This is a frame grab from a test shoot I did using the Cool Flo CFL Soft Boxes from Steve Kaeser. There is sunlight coming in from a window to the right of the subjects (camera left). The key light is the softboxes and the camera has been white balanced for the key light.  I love quality of light these lights out put as well as the nice soft wrap around light. These lights are perfect for interview style videos.]]></description><category>CFL</category><category>Soft Light</category></item><item><title>CBR1100XX - Super Black Bird</title><pubDate>Fri, 07 Mar 2008 12:11:05 GMT</pubDate><link>http://exposureroom.com/ce296fa040094a298dd89fc14a9f3fb6/</link><guid isPermaLink="true">http://exposureroom.com/ce296fa040094a298dd89fc14a9f3fb6/</guid><description><![CDATA[It's rare that I'm riding my bike and also have the opportunity to take pictures with my Canon 40D. This time though, friends were following in a car so I had my gear in the car. This picture was taken during a stop, a few minutes before sunset.]]></description><category>CBR1100XX</category><category>Motor Cycle</category><category>Sunset</category><category>Canon EF50mm f/1.4 USM</category><category>Canon EOS 40D</category></item><item><title>CBR 1100XX Gleaming</title><pubDate>Sun, 09 Aug 2009 19:18:47 GMT</pubDate><link>http://exposureroom.com/ae9c767ac4ee491fa8dea9032251e494/</link><guid isPermaLink="true">http://exposureroom.com/ae9c767ac4ee491fa8dea9032251e494/</guid><description><![CDATA[I love the way things gleam at this time of the evening. Well the bike was clean and shiny (which helps) but dusk just makes everything gleam.<br><br>I was walking back to my bike when I saw the sun being reflected in the gas tank and camera was at hand.]]></description><category>CBR1100XX</category><category>Motor Cycle</category><category>Sunset</category><category>Canon EF50mm f/1.4 USM</category><category>Canon EOS 40D</category></item><item><title>Sunset on Halfway Road</title><pubDate>Sat, 08 Mar 2008 17:46:19 GMT</pubDate><link>http://exposureroom.com/555b21bc03034b7c8a7a037c18518335/</link><guid isPermaLink="true">http://exposureroom.com/555b21bc03034b7c8a7a037c18518335/</guid><description><![CDATA[I was driving back home from a client's office one evening and saw this gorgeous sight. This road is a two lane road but get a decent amount of traffic in the evening, but I just had to stop!<br /><br />I put my distress lights on and slowed down a bit lookout out of my car's window for a good spot. I wanted something in the foreground but couldn't really get anything in the frame unless I got out of the car. So I took this shot before the sun set.]]></description><category>Sunset</category><category>Canon EF50mm f/1.4 USM</category><category>Canon EOS 40D</category></item><item><title>Showing the Various Parts of the Softbox</title><pubDate>Thu, 17 Apr 2008 19:50:30 GMT</pubDate><link>http://exposureroom.com/9ad037114dca4797a8e2d3370e97d127/</link><guid isPermaLink="true">http://exposureroom.com/9ad037114dca4797a8e2d3370e97d127/</guid><description><![CDATA[I bought these Steve Keaser lights for Interview Videos and found them to be exceptional, in terms of quality of light.<br>http://www.skaeser.com/servlet/Detail?no=519]]></description><category>Soft Light</category><category>Canon EF 85mm f/1.8</category><category>Canon EOS 40D</category></item><item><title>The Rear Veiw of the Light Head</title><pubDate>Thu, 17 Apr 2008 19:38:04 GMT</pubDate><link>http://exposureroom.com/67db7bee269f4b75935a225154bddd12/</link><guid isPermaLink="true">http://exposureroom.com/67db7bee269f4b75935a225154bddd12/</guid><description><![CDATA[Shows the view of the back of the light head. Notice the "master" (green) switch and the 3 smaller switches. These smaller switches allow you to control the banks of bulbs, so you can have 2,4 or 6 bulbs on. Anoter cool thing is that the light can be mounted either horizontally or vertically on the stand. Of course in my case it makes no difference (32x32) but they have other lights that use a similar light head...]]></description><category>Soft Light</category><category>Canon EF 85mm f/1.8</category><category>Canon EOS 40D</category></item><item><title>Inside View of the Light</title><pubDate>Thu, 17 Apr 2008 19:36:15 GMT</pubDate><link>http://exposureroom.com/34d263226cc34b9abc7ff469744b5092/</link><guid isPermaLink="true">http://exposureroom.com/34d263226cc34b9abc7ff469744b5092/</guid><description><![CDATA[Shows the view of the back of the light head. Notice the "master" (green) switch and the 3 smaller switches. These smaller switches allow you to control the banks of bulbs, so you can have 2,4 or 6 bulbs on. Anoter cool thing is that the light can be mounted either horizontally or vertically on the stand. Of course in my case it makes no difference (32x32) but they have other lights that use a similar light head...]]></description><category>Soft Light</category><category>Canon EF 85mm f/1.8</category><category>Canon EOS 40D</category></item><item><title>Close Up of the SoftBox Mounted on its stand</title><pubDate>Thu, 17 Apr 2008 19:54:33 GMT</pubDate><link>http://exposureroom.com/d99c758d30714b6ba3cec17e6455efb5/</link><guid isPermaLink="true">http://exposureroom.com/d99c758d30714b6ba3cec17e6455efb5/</guid><description><![CDATA[The next one shows a close up of the light mounted on the stand. Both the Light and the stand have these quater turn levers that go from completely loose to fully tight allowing for quick height adjustment and Light tilt adjustment. The other lights I have (Britek) have screw type knobs so I thought I'd mention that.]]></description><category>Soft Light</category><category>Canon EF 85mm f/1.8</category><category>Canon EOS 40D</category></item><item><title>Side on View of the SoftBox</title><pubDate>Thu, 17 Apr 2008 19:55:52 GMT</pubDate><link>http://exposureroom.com/02c7865f234941eea420221099e84a39/</link><guid isPermaLink="true">http://exposureroom.com/02c7865f234941eea420221099e84a39/</guid><description><![CDATA[This image shows the softbox assembled and mounted on its stand with other known items as a point of reference for size. The computer monitor you see is a 21" monitor. The light is turned off by the way.]]></description><category>Soft Light</category></item></channel></rss>
