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Ryan E. Walters
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Ryan E. Walters
United States
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Indi HD Cinematography Production Gear!
The latest reviews, thoughts, and experiences with various production gear. Covering the latest released and yet to be released tools for cinematography.
For the most up to dates postings, please visit the blog at my web site: www.ryanewalters.com .
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I recently had the opportunity to view a couple of instructional lighting DVDs produced by
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Check out my latest thoughts on the various tools of the trade for cinematographers. Covering the RED camera, Letus Extreme, Redrock Follow Focus, Cool Lights and more - these reviews will help you in the decision making process when it comes to what is out there.
Check out my reviews on my blog at
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The Le brothers continue to hit it out of the park! Hien and Quyen Le of Letus35 are always working on their products, listening to customer feedback, and adapting their product to better fit their clients needs. Over the last several months they have made some substantial strides with their 35mm adapter.
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Over the past year, I have been looking to put together my own lighting kit that I can take with me to light both for interviews and for the stock footage that I shoot. While these are two very different applications, my goal is to first build an interview kit, and then add to it for my stock footage
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Time sure does fly- I don’t know what it is about this time of year, but time sure does go quicker during the fall. I recently took some time out to compare the differences between three 50mm lenses and to see for myself the difference between a $100 piece of glass and a $6500 piece of glass. I wanted
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Back in May of this year I wrote a review of the Redrock Micro Follow Focus and I was amazed at how well it performed for the price they were selling it at. For half the price of the Chrosziel you could get a good follow focus. However, the one draw back of the unit was that it had 1/16” of play in the
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!Viva la revolucion! It seems that in this day and age of ever changing technology, it is only a matter of time before someone or some company turns around and introduces the next greatest leap forward in technology. This year has seen some amazing new developments in the world of cinema, with the introduction
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In preparation for an upcoming shoot, I met with Shawn Nelson of Nelson Entertainment to test out and get familiar with the RED camera. For those of you who haven’t heard, the RED camera is the next revolution in digital cinema. Designed from the ground up it is a completely modular 4k digital cinema
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WOW, for $650 this unit is a steal of a deal. This follow focus (FF) is easily on the same level as a Chrosziel FF both in terms of craftsmanship and in results – the price could easily be higher and it would still be worth the extra money. The only major difference from the Chrosziel FF is the size
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I initially was introduced to the Letus35a when I was filming Pandora (A short SiFi film). When my partner, Norm, and I began our preproduction work for the film, we took a look at various 35mm adapters on the market for miniDV cameras. At the time I was shooting on the DVX100a. We settled on the Letus35a
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